Title |
Composer |
Musical Category |
Instrumentation (general) |
Date |
Duration |
Polifonia em Mi |
Rosário Santana
Helena Santana |
Chamber music (2-8 instruments)
|
Ensemble |
|
|
Popularuskia I |
Sérgio Azevedo |
Chamber music (2-8 instruments)
|
string quartet |
|
13' 00" |
poP cisuM |
Pedro Amaral |
Other
|
Percussion |
|
|
Porque Vens do Pó e ao Pó Retornarás |
Mathilde Martins |
Chamber music (2-8 instruments)
|
percussion quartet |
2024 |
|
Por partes onde os espaços se enganavam |
Joana de Sá |
Chamber music (2-8 instruments)
|
clarinet, violin, cello, and synthesizer |
2023 |
10' 00" |
Ponto, Linha, Pedra |
Rui Dias |
Electroacoustic Music ("tape music")
Music for film/video
With multimedia
|
electronics and video |
2023 |
6' 00" |
Políptico para duas guitarras |
Eurico Carrapatoso |
Chamber music (2-8 instruments)
|
two guitars |
2023 |
15' 00" |
Point Vermeil |
Miguel Azguime |
Solo
With live-electronics
|
violin and electronics |
2021 |
16' 00" |
Polyphonic Mass |
Hugo Vasco Reis |
Electroacoustic Music ("tape music")
|
speaking voices and electronics |
2021 |
10' 20" |
Porquê...? Memória de um abraço antigo |
João Francisco Nascimento |
Solo
|
piano |
2019 |
4' 00" |
Pontos |
João Carlos Pinto |
Solo
With live-electronics
|
cello and electronics |
2018 |
|
points, shapes and colour |
Fábio Cachão |
Chamber music (2-8 instruments)
|
violin, viola, cello and piano |
2018 |
8' 00" |
Pole Position |
Marco Franco |
Solo
|
piano |
2017 |
2' 50" |
Por Entre o Saltério |
Miguel Jesus |
Vocal Group/Choir (a cappella)
|
a cappella mixed choir |
2017 |
3' 30" |
Ponteio |
Christopher Bochmann |
Solo
|
solo chocalhofone |
2016 |
|
Pop-up |
Sara Carvalho |
Chamber music (2-8 instruments)
|
recorder and pianoforte |
2015 |
|
Polly Pocket Symphony |
José Eduardo Rocha |
Chamber music (2-8 instruments)
|
Ensemble |
2010 |
1' 00" |
... Poise |
Ernesto Rodrigues |
Chamber music (2-8 instruments)
|
Violin, Cello, Piano, Soprano Saxophone |
2008 |
6' 00" |
Porto de crianças |
Fernando C. Lapa |
Vocal Group/Choir (a cappella)
|
Voices and piano |
2006 |
|
Pontes |
Sofia Sousa Rocha |
Chamber music (+ than 8 instruments)
|
Ensemble |
2006 |
7' 00" |
Popov |
Sérgio Azevedo |
Chamber music (2-8 instruments)
|
4 Trombones |
2005 |
7' 00" |
Portimão by Night |
Cristóvão Silva |
Other
|
Unknown Instrumentation |
2004 |
|
Porta Férrea |
Eurico Carrapatoso |
Soloist(s) and Orch./Ens. and/or Choir
|
Baritone, Male Choir, Portuguese Guitar, Cello and Orchestra |
2003 |
22' 00" |
Polis_a_Crescer |
Helder Filipe Gonçalves |
Other
Dance music
Educational work
|
1500 Child Actors |
2002 |
|
Polka op. 22 do ballet "A Idade do Ouro" |
José Mesquita Lopes |
Chamber music (2-8 instruments)
Arrangement
|
Flute, clarinet, guitar, violin, viola and double bass |
2002 |
4' 00" |
Ponti-Lista |
Paulo Bastos |
Music for Computer in real time
|
real time electroacoustics and piano |
2000 |
4' 30" |
Pop-Music |
Sérgio Azevedo |
Solo
|
Harpsichord |
2000 |
|
Polyeleos |
Ivan Moody |
Vocal Group/Choir (a cappella)
|
8 Part Mixed Choir |
1999 |
6' 00" |
Polifonias de Notre-Mer |
Cândido Lima |
Orchestra
|
Orchestra |
1998 |
9' 00" |
Polimorfismos |
Pedro Pinto Figueiredo |
Solo
|
piano |
1996 |
5' 00" |
Porgy & Bess |
Nuno Côrte-Real |
Other
Arrangement
|
Unknown Instrumentation |
1996 |
|
Poisson-Miroir |
Cândido Lima |
Solo
|
Harpsichord |
1994 |
10' 00" |
Polkita para Dois Fliscornes e Espingarda |
Jorge Salgueiro |
Chamber music (2-8 instruments)
|
2 Flugelhorns and Whip |
1993 |
|
Porgy's, o Musical do Ano |
Paulo Ferreira-Lopes |
Orchestra
Arrangement
|
Orchestra |
1992 |
|
Ponto de Ruptura |
João Pedro Oliveira |
Chamber music (2-8 instruments)
|
Bass Clarinet and Percussion |
1992 |
|
Policromia |
Cristóvão Silva |
Solo
|
Piano |
1992 |
|
"... por espaços já outrora percorridos..." |
João Pedro Oliveira |
Chamber music (+ than 8 instruments)
|
Ensemble |
1990 |
|
Polígonos em Som e Azul |
Cândido Lima |
Chamber music (+ than 8 instruments)
With electroacoustics ("tape")
|
Ensemble and Electroacoustics |
1988 |
30' 00" |
Por Cima o Silêncio |
Carlos Zíngaro |
Music Theatre
With live-electronics
|
Ensemble and Live Electronics |
1983 |
60' 00" |
Polifonias I |
Enrique X. Macías |
Solo
With electroacoustics ("tape")
|
Oboe and Electroacoustics |
1981 |
|
Polifonias II |
Enrique X. Macías |
Chamber music (2-8 instruments)
|
Piano and String Trio |
1981 |
|
Pornofonia |
António Victorino d' Almeida |
Soloist(s) and Orch./Ens. and/or Choir
|
Piano and Orchestra |
1977 |
|
Polytonal Mass |
Christopher Bochmann |
Vocal Group/Choir (a cappella)
|
Mixed Choir |
1969 |
|
Políptico II |
Jorge Peixinho |
Orchestra
|
Orchestra |
1964 |
15' 00" |
Porque Vossa Beleza a Si Se Vença |
Fernando Lopes-Graça |
Chamber music (2-8 instruments)
|
Tenor and Piano |
1960 |
3' 00" |
Políptico 1960 |
Jorge Peixinho |
Orchestra
|
Orchestra |
1960 |
5' 30" |
Porque Não Fui Dançar na Boda |
Berta Alves de Sousa |
Vocal Group/Choir (a cappella)
|
3 Parts Female Choir |
1947 |
1' 30" |
Polonesa en re menor |
Pedro Blanco |
Solo
|
Piano |
1905 |
|
Polaca |
Vianna da Motta |
Solo
|
piano |
1880 |
4' 30" |
Polacca |
Francisco Sá de Noronha |
Soloist(s) and Orch./Ens. and/or Choir
|
Voice and Orchestra |
1864 |
|