Pedro Rebelo will make a presentation with Franziska Schroeder, entitled Distributed Listening: Using a mobile app for exploring listening in everyday life, at Login Live on 2016, on the 8th October.
The composer published by the MIC.PT just published a chapter entitled Distributed Sounding Art – Practices in Distributing Sound, co-authored with Franziska Schroeder, in the book The Routledge Companion to Sounding Art, edited by Marcel Cobussen, Vincent Meelberg and Barry Truax.
Pedro Rebelo has also just launched the mobile application liveSHOUT developed at the Sonic Arts Research Centre. This is an interactive audio streaming application that enables the user to receive and send audio streams to multiple users on what the authors Pedro Rebelo and Franziska Schroeder called "distributed listening". In addition to a control of the streaming performance parameters and audio quality, this application allows the user to mix up to 3 streams in a binaural mode where each stream is dynamically panned according to the geolocation of the listener and the chosen streams.
In the week of October 17th the composer will be in residence at the Vibra Culture in Castelo Branco, where he will develop a participatory work with local residents and will have a public presentation on the 22th.

Ângela da Ponte, composer published by the MIC.PT, just had her work Esboço #2 premiered by the Orquestra Jovens Músicos, part of the Prémio Jovens Músicos – Festival Jovens Músicos 2016, last 25th September . This October she will have her work Homenagem Subconsciente played at the Festival Visiones Sonoras 2016 on the 8th, a premiere in Mexico; the work La mer soulevée will also be premiered in Spain by the Orquestra Sinfónica do Porto Casa da Música on the 15th; and on the 21th October she will present, in Vila Real, a co-composed project with Fábio Videira, entitled Banda à Varanda.

The recent stay at the ICMC, where the composer published by the MIC.PT Igor C. Silva presented the work zap_ping, has already received a positive review in the dutch newspaper Volkskrant. On the 5th of October the Remix Ensemble Casa da Música will play his works Gin#122, Frames#87 and As Palavras Não Mudam at the Museum of Art, Architecture and Technology in Lisbon. On the 14th Your Trash will be presented at the Splendor in Amsterdam, and on the 28th Smart-alienation will be presented in Vila do Conde by the Fade Trio.

The composer published by the MIC.PT, Fernando Lapa, had his work Abertura / exercícios para vozes e declamação played with the show Duas Caras in Ponte de Lima on the 25th September and this will be played again in Guimarães on the 1st of October. On the 14th Fernando Lapa will have the premiere of his work O comboio avança for vocal quartet and guitar quartet, at the Centre Culturel Les Portes de l’Essone in Paris; and on the 18th he will have his work Da luz nítida da manhã, for string quartet, performed by Quarteto de Cordas de Matosinhos at Casa da Música.

On the 29th October, the composer published by the MIC.PT, Patrícia Sucena de Almeida will have the premiere her work Vacuum Corporis, for 2 pianos and film, at the Transit Festival 2016, in Belgium. In this concert there will also be works by Michael Finnissy, Brian Ferneyhough, Luc Brewaeys and a premiere by Lauren Redhead.

Daniel Schvetz, composer published by the MIC.PT, will have the premiere of his work Umbra Urbe, for chamber choir, guitar, accordion, cello, double bass and singing, soprano, dancers and videomaping, on the 14th at the Church of São Roque in Lisbon. This concert is integrated in the celebrations of the International Day for the Eradication of Poverty and Homelessness .

The work O Suspiro do Rouxinol, for mezzo-soprano, clarinet and piano, by the composer published by MIC.PT, Christopher Bochmann, will be premiered on the 28th at the Forum Municipal Luísa Todi, in Setúbal. This premiere will be integrated in a concert entitled Bochmann homenageia Bocage, a concert commemorating the 250th anniversary of Bocage’s birthdate.

Miguel Azguime, composer published by the MIC.PT, will have his work Moment à L’Extremement, for cello and live electronics, played by Filipe Quaresma at the Cine-Teatro of Sobral de Monte Agraço on the 1st October and at the Teatro Sá da Bandeira, in Santarém, on the 20th.

The composer recently published by the MIC.PT, Ricardo Matosinhos, had in the recent months 5 premieres: A aranha e os alfaiates, 4 Impressões, Trio, for flute, alto flute and bass flute, There's a bottle in my (friend)ship! and Traveling. This month we also publish one new score of Ricardo Matosinhos: 4 Impressões for flute orchestra (2015-rev. August 2016).

Just arrived from a monographic concert at the Night of the European Researchers, on the last September 30th, Jaime Reis, composer published by the MIC.PT, continues his European tour checking in at the Encontro sobre Música e Cultura on the 1st October, in Montijo. After that he will leave for a concert in Turkey on the 6th October, the digitIZMir-2 Festival.

The conference Bilateral International Conference Portugal/Italy: Performance Analysis: A Bridge Between Theory And Interpretation will have the presence of the composer António Pinho Vargas on the 5th October. The composer published by the MIC.PT will make a presentation titled Judas (secundam Lucam, Joannem, Mattaeum et Marcum) for Choir and Orchestra (2002): a composition and an interpretation of the text/libretto. At the end of the month António Pinho Vargas will have his work Overtures and Closures played by the Orquestra Sinfónica Portuguesa, conducted by Joana Carneiro, on the 30th October.

On the 9th of October in Penafiel is released at ESCRITARIA Book Fair at 16:30 the book Escritaria 2015 - Mario Claudio, life and work with a text by Cândido Lima, composer edited by MIC.PT, around the text Lethes written by Mario Claudio and which in turn motivated the composition by Cândido Lima of a piece with the same name for voice and piano. This month we also publish three new scores by Cândido Lima: Canzoni Liriche of 1959-1964 in its version for viola and piano, Inoria 1998 for 2 pianos and Archaic Harmonies - nymphs, woods and gods composed in 2016 for guitar solo, dedicated to guitarist Pedro Rodrigues.

After Italy, where the works Atlas and Et ignis involvens were presented on the 29th September, João Pedro Oliveira’s music faces another month of activity ahead. The music for animated film Âphâr received an Award of Merit at the Southern Shorts Awards Film Festival, and this work will be played at the CINESONIKA 5 Festival - Visual Music on the 1st October . The composer published by the MIC.PT won the 1st Prize on the contest Destellos, in Argentina, with the work Titanium, for 4 hands piano, 2 toy pianos and electronics. This work along with the work In Tempore were recently played at the 1º Encontro de piano Contemporâneo in Belo Horizonte, Brazil. The work Neshamah (8 channels electronics) received an Honorable Mention on the same Destellos contest and will be premiered at the XXIII° Festival Acousmatique International "L'Espace Du Son" in Belgium, on the 20th October.

The Miso Music Portugal and The Portuguese Music Research & Information Centre, together with the International Confederation for Electroacoustic Music CIME/ICEM, to which the MIC.PT is member, will showcase at the Festival Visiones Sonoras 2016, in Morelia, Michoacán, México the electroacoustic works “Homenagem Subconsciente” and “Rugitus v.01” by composers Ângela da Ponte and João Castro Pinto, respectively. The concerts that will present these works will take place on the 7th and 8th October 2016.

The MIC.PT publishes and provides online five new scores by three Portuguese contemporary composers, that is: Arcaicas Harmonias (2016) for guitar, Inoria (1998) for 2 pianos and Canzoni Liriche (1959-1964), by Cândido Lima; 4 Impressões (2015-rev. August 2016) for flute orchestra by Ricardo Matosinhos; as well as Lysozyme Synthesis (2003) for piano by Jaime Reis. The score edition by the MIC.PT aims at distributing scores of works by Portuguese composers, making them available online and thus promoting the knowledge and choice of Portuguese music among performers, ensembles, programmers and researchers. The MIC.PT online Score Catalogue presently includes 950 works by 60 Portuguese composers.

Cândido Lima, Arcaicas Harmonias (2016)

Cândido Lima, Inoria (1998)

Cândido Lima, Canzoni Liriche (1959-1964)

Ricardo Matosinhos, 4 Impressões (2015-rev. August 2016)

Jaime Reis, Lysozyme Synthesis (2003)