Works

Instrumentation (detailed)

Winds and Brass	Flute, Clarinet
Percussion	Marimba
Strings (plucked / bowed)	Cello

Performer(s)

A sonic reverie based on a structural plan that is supported by the graphic distribution of the Pasteleira territory of the undefeated city, the piece is inspired by the significance of a flora representative of the place itself. Not alienated from various works that try to develop along a particular path, harmonies, rhythms, gestures, etc. They are interconnected in the search for cohesion between this process that, as if randomly, I am probing to develop. 'Mudar de voz para dar às palavras o tom de um parênteses', a title borrowed from a written attitude by a unique colleague from various works – Rui Manuel Amaral –, exists above all through the kindness of a commission from Sonescola as part of a project where the aim is to 'listen to the city today, to think about tomorrow'. Is this a hypothesis (for what it's worth) of auditorily feeling certain substantial peculiarities of the already emblematic space.

Pedro Junqueira Maia

Work	Type	Date	Organization/Event	Venue	Town	Country	Performers	Notes	Inv Row
Mudar de voz para dar às palavras um tom de um parênteses	Premiere	2023/Nov/10	Obras Portuenses da Década de 20	Igreja de São Pedro de Miragaia	Porto	Portugal	Supernova Ensemble João Dias (percussion) Clara Saleiro (flute) Carina Albuquerque (cello) Frederic Cardoso (clarinet)	Notes