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Armando Santiago is a composer, conductor, teacher and administrator, born in Lisbon on the 18th June 1932 and naturalized Canadian in 1972. He obtained the premier prix in music history (Lisbon Conservatory) in 1954, the premier prix in composition (Lisbon Conservatory) in 1960. After he had studied singing and piano he took lessons in conducting with Hans Münch in Lisbon and Franco Ferrara in Siena. In 1960 he went to Paris to study the techniques of musique concrète with Pierre Schaeffer in the research service of the ORTF. On grants from the governments of Portugal and Italy he worked privately from 1962 to 1964 in Rome with Boris Porena and with Goffredo Petrassi at the Accademia Santa Cecilia, obtaining a diploma for advanced studies in composition. Later, he taught theory and composition and conducted orchestra classes in Lisbon. Arriving in Quebec in 1968, Santiago became a teacher at the Conservatoire de Trois-Rivières and directed it from1974 to 1978. During the 1977-8 season, he conducted the CBC Quebec Chamber Orchestra in a concert of his own works. He has also conducted orchestras in Portugal, and was guest conductor of the Trois-Rivières Symphony Orchestra and of the Schloss Pommersfelden Collegium Musicum SO in West Germany in the summer of 1984. Santiago has composed a Suite for bassoon and piano (1960), Soneto de Camões for baritone and string orchestra (1966), Requies for male choir and 25 instruments (1979-83), Undecassônia (1975) and Trame (1985-9) for orchestra, and works for various vocal and/or instrumental groupings such as Sinfonia (1966, written for the JM), Sonata 1968 (commissioned by the University of Lisbon), Simetrias (1970), Prismes (1970), Heterogenia-Movimento per 32 solisti (1971, commissioned by the Gulbenkian Foundation of Lisbon), and Musique pour quatre (1988). In 1962 he wrote the score for Ernesto de Sousa's film Dom Roberto. In 1978 Santiago began teaching composition at the CMQ, where he was director from 1978 to 1985. His pupils have included Pierre-Michel Bédard and Gilles Bellemare. Santiago is a member of the CLComp. Suzanne Thomas Notebook no. 22 · Armando Santiago | Portuguese, 20th and 21st Century Music Notebooks |
Title of work | Date | Commissioning body | URL | Town | Country | Notes | Invisible Column 0 | Invisible Column |
...un mur impossible... | 1993 | anticum Novum A Cappella Choir | Notes | |||||
Heterogenia – Movimento per 32 solisti | 1967 | Calouste Gulbenkian Foundation | URL | Lisbon | Portugal | Notes | http://www.gulbenkian.pt/ | |
Visions de la fin du siècle | 1998 | Orchestre symphonique de Trois-Rivières | URL | Trois-Rivières | Canada | Notes | https://ostr.ca | |
Sonata 68 | 1968 | University of Lisbon | URL | Lisbon | Portugal | Notes | http://www.ul.pt/ | |
Title of work | Name of Award | Prize | Date | Awarding body | URL | Town | Country | Notes | Invisible Column | Invisible Column 2 |
Música para «Dom Roberto» | Special Mention at the Cannes Festival | 1963 | France | Notes | cinematographic projection | |||||
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Composition Award | 1st Prize | 1960 | Lisbon National Conservatory of Music | URL | Lisbon | Portugal | Notes | http://www.em-conservatorio-nacional.rcts.pt/ | ||
History of Music Award | 1st Prize | 1954 | Lisbon National Conservatory of Music | URL | Lisbon | Portugal | Notes | http://www.em-conservatorio-nacional.rcts.pt/ | ||
Work | Type | Date | Organization/Event | Local | Town | Country | Performer(s) | Notes | Invisible Column |
Groupes IV | Premiere | 2024/May/15 | Salão Medieval da Reitoria da Universidade do Minho | Braga | Portugal | Bernardo Cruz (percussion) | Notes | ||
Neume I | Performance | 2020 | Antena 2 Recital | O'culto da Ajuda | Lisbon | Portugal | Matosinhos String Quartet | Notes | Recording |
Quatuor à cordes | Performance | 2020/Oct/07 | Antena 2 Recital | O'culto da Ajuda | Lisbon | Portugal | Matosinhos String Quartet | Notes | Recording |
Neume II | Premiere | 2020/Oct/07 | Antena 2 Recital | O'culto da Ajuda | Lisbon | Portugal | Elsa Silva (piano); Vítor Vieira (violin); Marco Pereira (cello) (Matosinhos String Quartet) | Notes | Recording |
Groupes III | Premiere | 2020/Oct/07 | Antena 2 Recital | O'culto da Ajuda | Lisbon | Portugal | Elsa Silva (piano) | Notes | |
Neume III | Premiere | 2018/Nov/27 | O'culto da Ajuda | Lisbon | Portugal | Jorge Alves (viola) | Notes | ||
Groupes II | Premiere | 2017/May/06 | Reencontros de Música Contemporânea: ARMANDO SANTIAGO: Concerto e conversa com o compositor | Salão Nobre do Teatro Aveirense | Aveiro | Portugal | Elsa Silva, piano | Notes | |
Quatuor à cordes | Performance | 2017/May/06 | Reencontros de Música Contemporânea: ARMANDO SANTIAGO: Concerto e conversa com o compositor | Salão Nobre do Teatro Aveirense | Aveiro | Portugal | Douro Quartet | Notes | |
Neumes | Performance | 2000/May/25 | 24th Gulbenkian Encounters of Contemporary Music | Calouste Gulbenkian Foundation | Lisbon | Portugal | Oficina Musical: Radu Ungureanu (violin) David Lloyd (viola) Jed Barahal (cello) | Notes | |
Sonata 68 | Premiere | 2000/May/25 | 24th Gulbenkian Encounters of Contemporary Music | Calouste Gulbenkian Foundation | Lisbon | Portugal | Francisco Monteiro (piano), Sofia Lourenço (piano), Pedro Couto Soares (flute), Pedro Carneiro (percussion) Álvaro Salazar (conductor) | Notes | |
Quatuor à cordes | Premiere | 1999 | Conservatoire de Musique et Art Dramatique du Québec | Québec | Canada | Trio BES: Sergei Nikonov (violin), Frank Perron (viola), Pierre Laurin (cello) + Catherine Dallaire (violin) [directed by Armando Santiago] | Notes | ||
Visions de la fin du siècle | Premiere | 1999/Apr/11 | Salle J.-Antonio-Thompson | Trois-Rivières | Canada | Orchestre symphonique de Trois-Rivières, Gilles Bellemare (direction) | Notes | ||
Neume I | Premiere | 1998 | Conservatoire de Musique et Art Dramatique du Québec | Québec | Canada | Trio BES: Sergei Nikonov (violin), Frank Perron (viola), Pierre Laurin (cello) | Notes | ||
Groupes I | Premiere | 1998 | L’Institut Canadien Auditorium | Québec | Canada | Ensemble de l’Association pour la musique actuelle de Québec, Carol Lemieux (direction) | Notes | ||
...un mur impossible... | Premiere | 1993 | Musée de Québec | Québec | Canada | Canticum Novum A Cappella Choir, Pierre Grondines (direction) | Notes | ||
Musique pour quatre | Premiere | 1990 | L’Institut Canadien Auditorium | Québec | Canada | Rémy Ménard (soprano sax.), Alain Bois (alto sax.), Jean François Guay (tenor sax.), Serge Noyon (baritone sax.) | Notes | concert promoted by the Association pour la Musique Actuelle de Québec | |
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Piece pour cor et metaux | Premiere | 1983 | L’Institut Canadien Auditorium | Québec | Canada | Guy Carmichael (horn, direction), Murielle Légaré, Pierre Lavalée et André Bellefeuille (percussion) | Notes | ||
Prismes | Premiere | 1982 | Conservatoire de Musique et Art Dramatique du Québec | Québec | Canada | Choeur du Conservatoire de Musique de Québec, Charles Dumas (direction) | Notes | 1970 version | |
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Undecassonia | Premiere | 1980 | L’Institut Canadien Auditorium | Québec | Canada | Ensemble de l’Association pour la Musique Actuelle de Québec (AMAC), Daniel Swift (direction) | Notes | 1975 version | |
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Heterogenia – Movimento per 32 solisti | Premiere | 1974/Jun/04 | Calouste Gulbenkian Foundation - Great Hall | Lisbon | Portugal | Gulbenkian Orchestra, Michel Tabachnik (conductor) | Notes | ||
Trois Miniatures | Premiere | 1973/Oct/05 | Salão Henrique Oswald | Rio de Janeiro | Brazil | José Carlos Castro (clarinet) | Notes | ||
Pièce pour percussioniste seul | Premiere | 1973 | Centre Culturel | Trois-Rivières | Canada | Gilles Bellemare (percussion) | Notes | ||
Simetrias | Premiere | 1971 | Conservatoire de Musique et Art Dramatique du Québec à Trois Rivières | Trois Rivières (Québec) | Canada | Ensemble de Musique Contemporaine du Conservatoire de Musique de Québec, Armando Santiago (direction) | Notes | ||
Musica per Orchestra | Premiere | 1964/Jun | Accademia Nazionale di Santa Cecilia Auditorium | Roma | Italy | Accademia Nazionale di Santa Cecilia Symphony Orchestra, Danielle Paris (direction) | Notes | ||
Suite para Fagote e Piano | Premiere | 1962/Jun/02 | Broadcast by Música Portuguesa – programme of the Chamber Music Section at the Portuguese National Radio Broadcaster | Lisbon | Portugal | João Mateus (bassoon), Regina Cascais (piano) | Notes | ||
Música para «Dom Roberto» | Premiere | 1962/May/30 | Império Cinema | Lisbon | Portugal | Recording by the memebrs of the Portuguese National Broadcaster Orchestra, Armando Santiago (direction) | Notes | Film première | |
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Trio | Premiere | 1961 | Broadcast by Música Portuguesa – programme of the Chamber Music Section at the Portuguese National Radio Broadcaster | Lisbon | Portugal | Antonino David (violin), Maria de Macedo (cello), Katherina Heinz (piano) | Notes | ||
Sonata | Premiere | 1960 | Broadcast by Música Portuguesa – programme of the Chamber Music Section at the Portuguese National Radio Broadcaster | Lisbon | Portugal | Ricardo Ramalho (flute), Clotilde Rosa (harp) | Notes | ||
Três Cantigas de D. Dinis | Premiere | 1960 | Sala de Concertos do Conservatório Nacional de Lisboa | Lisbon | Portugal | Fernanda Mela (soprano), Eduardo Simões (piano) | Notes | ||
Description of Activity | Designation | Period | Organization | URL | Venue | Town | Country | Notes | Invisible Column | |
Affiliation with Institutions | Member | Canadian Music Council | Canadian Music Council | Canada | Notes | |||||
Affiliation with Institutions | Member | CAPAC | Canada | Notes | ||||||
Affiliation with Institutions | Member | Canadian League of Composers | URL | Canadian League of Composers | Toronto | Canada | Notes | http://www.clc-lcc.ca/ | ||
Affiliation with Institutions | Member | SOCAN | URL | Toronto | Canada | Notes | http://www.socan.com/ | |||
Affiliation with Institutions | Director | 1978 - 1985 | Quebec Conservatory | Canada | Notes | |||||
Affiliation with Institutions | Director | 1974 - 1978 | Trois-Rivières Conservatory | Trois-Rivières | Canada | Notes | ||||
Affiliation with Institutions | Collaborator | 1960 - 1968 | Calouste Gulbenkian Foundation | Calouste Gulbenkian Foundation | Lisbon | Portugal | Notes | |||
Affiliation with Institutions | Collaborator in the Organisation | 1965 - 1968 | National Library | URL | National Library - Music Service | Lisbon | Portugal | Notes | http://www.bn.pt/ | |
Lectures | Conference on Pierre Schaeffer and Concrete Music | 1961 | Portugal | Notes | Conference given together with Gil Miranda | |||||
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Performing | Conductor | 1978 | Quebec Conservatory Symphony Orchestra | Quebec Conservatory | Canada | Notes | ||||
Performing | Invited Conductor | 1984 | Collegium Musicum Pommersfelden's Symphony Orchestra | Collegium Musicum Pommersfelden | Pommersfelden | Germany | Notes | |||
Performing | Invited Conductor | 1973 - 1985 | Radio Canada Society Chamber Orchestra | Canada | Notes | |||||
Performing | Conductor | 1982 - 1984 | Lisbon Symphony Orchestra | Lisbon | Portugal | Notes | ||||
Performing | Conductor | 1982 - 1984 | Oporto Symphony Orchestra | Oporto | Portugal | Notes | ||||
Teaching | History of Music and Chamber Music Teacher | ~ 1964 | Santa Cecília Music Academy | URL | Santa Cecília Music Academy | Lisbon | Portugal | Notes | http://www.amsc.com.pt/ | |
Teaching | Teacher of Theory, Composition and Conducting | 1968 | Trois-Rivières Conservatory | Trois-Rivières | Canada | Notes | ||||
Teaching | Teacher of Composition, Advanced Tonal Harmony and Contemporary Chamber Music | 1978 - 1997 | Quebec Conservatory | Canada | Notes | |||||
Name of Grant/ Residency/Scholarship | Period | Awarding body | URL | Town | Country | Notes | ||
Scholarship | 1962 - 1964 | Portugal | Notes | He has worked in Rome (Italy), with Boris Porena, and he has followed the lessons of Goffredo Petrassi in the Academy of Saint Cecilia, obtaining the superior studies degree in Composition. | ||||
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