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Portuguese lyric soprano Inês Simões is a versatile singer whose repertoire encompasses works from the baroque era to contemporary work. In the field of new music, Inês Simões has premiered eight works. At Lisbon’s Gulbenkian Foundation, she performed six new pieces written for her voice, under the baton of Magnus Lindberg. In March 2016, she returned to sing in Jamie Man’s new opera Play, with the Gulbenkian Orchestra conducted by Hannu Lintu. In collaboration with the Teatro Nacional de São Carlos, she also sang the first European performances of Brazilian composer João Guilherme Ripper’s opera Onheama. In oratorio, she made her Gulbenkian Foundation début in the role of Solomon’s Queen in Handel’s Solomon, singing opposite Iestyn Davies under the baton of Paul McCreesh. She has also been a soloist in works by Pergolesi, Rossini, Schubert and Orff. Operatic roles include Giulia (La Scala di Seta Rossini), Rita (Rita Donizetti), Clarice (Il Mondo della Luna Haydn), Contessa (Le Nozze di Figaro Mozart), Susanna (Il segreto di Susanna Wolf-Ferrari), Bastienne (Bastien und Bastienne Mozart) and Bubikopf (Der Kaiser von Atlantis Ullmann). Recently, Inês recorded a solo CD Alma Ibérica under the Sonus Music, featuring Portuguese and Spanish songs from the 20th century. This project was an award by the Foundation Gestão dos Direitos dos Artistas. http://www.inessimoessoprano.com/ http://inesfsimoes.wixsite.com/almaiberica https://www.youtube.com/channel/UCYMrMpOZxK-vQKhfE4bS2uA |
Title | Composer | Musical category | Instrumentation (general) | Date | Duration | Notes | InvisibleRow 1 | InvisibleRow 2 |
Aquela Moça | Branco, Luís de Freitas | Chamber music (2-8 instruments) | Instrumentation (general) | 1904 | 2' 00" | Notes | Voice and Piano | chamber song |
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Toada popular | Carneyro, Cláudio | Instrumentation (general) | Notes | chamber song | ||||
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Música Toda Lampeira | Carrapatoso, Eurico | Chamber music (2-8 instruments) | Instrumentation (general) | 2003 | 4' 00" | Notes | Soprano and Piano | chamber song |
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Canções Sentimentais | Cruz, Manuel Ivo | Chamber music (2-8 instruments) | Instrumentation (general) | 1972 | Notes | Voice and Piano | chamber song | |
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I could not think of thee as piecèd rot | da Rocha, Nuno | Soloist(s) and Orch./Ens. and/or Choir | Instrumentation (general) | 2014 | Notes | Soprano and Orchestra | symphonic music | |
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How Beastly the Bourgeois Is | Gomes, Pedro Faria | Soloist(s) and Orch./Ens. and/or Choir | Instrumentation (general) | 2014 | 7' 00" | Notes | Soprano and Orchestra | symphonic music |
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Trovas | Lacerda, Francisco de | Chamber music (2-8 instruments) | Instrumentation (general) | Notes | Voice and piano |
(Desde que os cravos e rosas, Eu queria, tu querias, Inda que o lume se apague, Não morreu nem acabou, Quero cantar ser alegre, Quem me dera ser a hera, Se quereis rosa ser rosa) chamber song |
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O Menino da Sua Mãe | Lopes-Graça, Fernando | Chamber music (2-8 instruments) | Instrumentation (general) | 1936 | 4' 36" | Notes | Voice and Piano | chamber song |
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Guirlanda para Federico García Lorca | Lopes-Graça, Fernando | Chamber music (2-8 instruments) | Instrumentation (general) | 1961 | 15' 54" | Notes | Medium Voice and Piano | chamber song |
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Eu fui à terra do Bravo | Lopes-Graça, Fernando | Instrumentation (general) | Notes | chamber song | ||||
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Singra o navio | Moreira, Daniel | Soloist(s) and Orch./Ens. and/or Choir | Instrumentation (general) | 2014 | Notes | Soprano and Orchestra | symphonic music | |
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Massive # | Silva, Igor C. | Soloist(s) and Orch./Ens. and/or Choir | Instrumentation (general) | 2014 | Notes | Feminine Voice, Orchestra and Electronics | symphonic music | |
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All Love Letters are ridiculous | Soldado, Luís | Instrumentation (general) | Notes | chamber music | ||||
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Paisagem de chuva | Soldado, Luís | Instrumentation (general) | Notes | chamber music | ||||
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The City is Empty | Soldado, Luís | Instrumentation (general) | Notes | chamber music | ||||
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Dois Poemas de Fernando Pessoa | Sousa, Filipe de | Chamber music (2-8 instruments) | Instrumentation (general) | 1949 | 2' 20" | Notes | Voice and Piano | chamber song |
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No Turbilhão | Vasconcellos, Jorge Croner de | Chamber music (2-8 instruments) | Instrumentation (general) | 1927 | 2' 00" | Notes | High Voice and Piano | chamber song |
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Obra | Compositor |
12 Poems of E. Dickinson | Copland, Aaron |
47864 Echo * | Neyrinck, Frederick |
9 Tonadillas | Granados, Enrique |
Al Canto de los Pájaros | Nin, Joaquín |
An Amherst Bestiary | Philips, Julian |
Apparition | Crumb, George |
Ariettes oubliées / Beau soir / Quatre chansons de jeunesse / Trois chansons de Bilitis / Trois Poèmes | Debussy, Claude |
A Spanish Liederbooklet | Weir, Judith |
Bachiana Brasileira N. 5 | Villa-Lobos, Heitor |
Being Beauteous | Henze, Hans Werner |
Canciones portuguesas | Halffter, Ernesto |
Cantar dos Búzios / Canção do poeta do século XVIII / Vira | Villa-Lobos, Heitor |
Cantiga Muy formosa es la doncella / Pastorcito Santo / Romancillo Por Mayo | Rodrigo, Joaquín |
Canções típicas brasileiras | Villa-Lobos, Heitor |
Carissima Amica | Busing, Otfried |
Carmina Burana | Orff, Carl |
Catalogue de Fleurs | Milhaud, Darius |
Cinq mélodies grecques / Deux mélodies hébraïques / Trois poèmes de Mallarmé | Ravel, Maurice |
Cuatro Madrigales Amatorios | Rodrigo, Joaquín |
Der Kaiser von Atlantis / Bubikopf | Ullmann, Viktor |
Der Sommer | Ligeti, György |
Der Tag ist vergangen | Webern, Anton |
Drei Liebeslieder / Drei Ophelia Lieder op. 67 / Allerseelen / Breit über mein Haupt / Das Rosenband / Die Nacht / Kling! / Wiegenlied / Winterweihe / Zueignung | Strauss, Richard |
Façade - Old Sir Faulk | Walton, William |
First Meeting / Sturmlied / Wenn je ein Schönes mir | Ullmann, Viktor |
Folksong arrangements | Britten, Benjamin |
Four Japanese Lyrics | Josephs, Wilfred |
Gloria | Poulenc, Francis |
Hermit Songs | Barber, Samuel |
Herzog Blaubarts Burg / Judith | Bartók, Béla |
How should I your truelove know? | McDowall, Cecilia |
I hate Music | Bernstein, Leonard |
Il segreto di Susanna / Susanna | Wolf-Ferrari, Ermanno |
King Harald’s Saga | Weir, Judith |
La Courte Paille / Les Chemins de l’amour | Poulenc, Francis |
La Diva de l’Empire | Satie, Erik |
La donna ideale / Ballo | Berio, Luciano |
Lead me away | Ivanova, Vera |
Leilão de jardim | Mahle, Ernst |
Leino Songs | Saariaho, Kaija |
Les illuminations | Britten, Benjamin |
Lockung / Spricht nicht immmer von den Raub | Schoenberg, Arnold |
L'alouette | Delage, Maurice |
Modinhas e canções | Villa-Lobos, Heitor |
O Mistério de São Brás / Gisela * | Salgado, Luís |
Onheama / Nhandêci, Xivi | Ripper, João Guilherme |
On this island | Britten, Benjamin |
Ophelia’s Song | Maconchy, Elizabeth |
Play / The Child * | Man, Jamie |
Poema en forma de canciones | Turina, Joaquin |
Purcell realizations | Britten, Benjamin |
Quatre poèmes hindous | Delage, Maurice |
Requiem | Rutter, John |
Requiem Podrugu: N. 3 | Kurtag, Gyorgy |
Récitations: 3, 9, 11, 13, 14 | Aperghis, Georges |
Sechs deutsche Lieder | Spohr, Louis |
Shéhérazade | Ravel, Maurice |
Sieben Frühe Lieder / Wozzeck Suite | Berg, Alban |
Siete Canciones españolas | Falla, Manuel de |
Solo for Voice 49 / Experience n. 2 for solo voice | Cage, John |
Songs from Fortunes | Mendez, Mathew |
Szene/Duo | Freisitzer, Roland |
Take, o take | Warlock, Peter |
The Fisherman's Brides / Isla * | Treacher, Lucie |
The Rake's Progress / Anne Truelove | Stravinsky, Igor |
The Wandering Scholar / Alison | Holst, Gustav |
Three Folk Songs | McCabe, John |
Three Songs of Innocence | Cooke, Arnold |
Three Vocalises | Williams, Ralph Vaughan |
Tres Poemas Op. 81ã | Turina, Joaquin |
Trois chants de Nöel | Martin, Frank |
Trois Poésies de la lyrique japonaise | Stravinsky, Igor |
Two Nursery Rhymes | Bliss, Arthur |
Ô Lacrimosa | Kreneck, Ernst |
Viens! Une flute invisible | Caplet, André |
White Lies * | Man, Jamie |