Composer, researcher, and Associate Professor at the University of Applied Sciences in Mainz, Paulo Ferreira-Lopes is In Focus on the MIC.PT in May, to mark his 60th anniversary.
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Work dedicated to the Ensemble São Tomás de Aquino
Notes
from the poem "Salmos, 27, 8" by Manuel António Pina
Instrumentation
Musical Category Vocal Group/Choir (a cappella)
Instrumentation (general) choir
Premiere
Date 2023/Oct/29
Performer(s)
Ensemble São Tomás de Aquino
Maria de Fátima Nunes (conductor)
Organization/Event II Festival Sons do Côa
Venue Auditório Municipal do Sabugal
Town Sabugal
Country Portugal
Program Notes
The compositional resources seek to give voice to the ambiguities indicated in the poem. In particular, the ambiguity of the relationship between the "I" and the "you". Through various syntactical twists, Manuel António Pina multiplies the operators of uncertainty, duplicity, ubiquity and fluidity, in dialogue with the contemporary experience of the crisis of identities. The "I" dialogues with a "you". But this "you" can be an expression of the "I" observed outside of itself. And the "I" can be a reflection of the gaze of this other. The composition quotes the verse from the Psalm that originally entitled the poem («Salmos, 27,8»). The quotation, worked as a literary trope, introduces into the compositional process the ambiguity of a fluid border between Manuel António Pina's poem ("I") and the fragment of biblical poetry ("you"). Within the framework of the composer's idiom, the musical resources seek to translate this uncertainty by means of harmonies filtered without direction and melodic conductions that draw on the duality proper to an archetype - the "bicinium". This choral work is part of the "Troparium" series, which brings together several of the composer's works that have in common this handling of literary tropes.