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Luís Neto da Costa is a Portuguese composer dedicated to broadening instrumental vocabulary and developing techniques based on the harmonic series, a primary focus of his doctoral research. He has collaborated with several musicians to explore extended techniques, including “muffled sounds” for clarinet, pivot-finger multiphonics for saxophone, and distinctive sound qualities of the violin body. He often develops computer-aided composition tools and occasionally incorporates electronics into his compositions, with recent projects involving the creation of video scores. His compositions have been performed by renowned ensembles and orchestras, including Ensemble Suono Giallo, Ensemble Recherche, Aleph Guitar Quartet, Sond’Ar-te Electric Ensemble, Remix Ensemble, Porto Symphony Orchestra, Lisbon Metropolitan Orchestra, ars ad hoc, among others. He has received commissions from several prestigious institutions, such as Festival DME and Casa da Música, where he was a resident artist, as well as MISO Music, Festival delle Nazioni, Arte no Tempo, Portuguese Composers Association, and Antena 2. To date, he has been honored with nine composition awards, which include the Francisco de Lacerda Composer Prize by Millennium bcp Foundation. He is currently a Ph.D. candidate at the Aristotle University of Thessaloniki under the supervision of Dimitri Papageorgiou, Franck Bedrossian (KUG-Graz), and Emilios Cambouropoulos, with support from the Portuguese Foundation for Science and Technology. His educational background includes a Composition degree from ESMAE in Porto, a Master’s in Music Teaching from the University of Aveiro, and a Post-Graduation in Composition from ESML in Lisbon. He has participated in masterclasses such as OutHear New Music Week with Klangforum Wien, IlSUONO Contemporary Music Week, and CROMA, and he interacted with composers such as Luis Naón, Pierluigi Billone, and Harrison Birtwistle, among others. Neto da Costa has experience in conducting and has worked with groups such as the Remix Ensemble, as part of an international master class with Peter Rundel, and the ESMAE Contemporary Music Ensemble, among others. Furthermore, he has taught Analysis and Composition in recent years. EXTERNAL LINKS Luís Neto da Costa's official website Last update: September 5th, 2024 |
Last update: September 5th, 2024
Title of work | Date | Commissioning body | URL | Town | Country | Notes | Invisible Column 0 | Invisible Column |
Ecos de atrito | 2024 | Arte no Tempo | URL | Aveiro | Portugal | Notes | https://artenotempo.pt | |
das linhas revoltas das mãos | 2020 | Arte no Tempo | URL | Aveiro | Portugal | Notes | https://artenotempo.pt | |
Illustrate Internal Clouds | 2020 | Arte no Tempo | URL | Aveiro | Portugal | Notes | https://artenotempo.pt | financed by the Garantir Cultura programme |
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Galveias – Janeiro e Stembro de 1984 | 2024 | Arte Piacere | URL | Alcobaça | Portugal | Notes | https://www.facebook.com/ArtePiacere | |
na plangência | 2020 | Batista Júnior (clarinettist) | Notes | |||||
Curvatório | 2017 | Casa da Música | URL | Porto | Portugal | Notes | http://www.casadamusica.com | |
febres de arabescos em frisos inertes para ensemble | 2017 | Casa da Música | URL | Porto | Portugal | Notes | http://www.casadamusica.com | |
O jardim do silêncio | 2017 | Casa da Música | URL | Porto | Portugal | Notes | http://www.casadamusica.com | |
Shades of White | DME Project | URL | Lisbon | Portugal | Notes | http://www.projecto-dme.org | ||
Città filigrana | 2024 | Festival delle Nazioni | URL | Città di Castello | Portugal | Notes | https://www.festivalnazioni.com/ | |
texturas de sombra | 2019 | Frederic Cardoso | URL | Portugal | Notes | https://www.facebook.com/fredericardoso | ||
Painting on a wooden canvas of resonances | 2024 | Miso Music Portugal | URL | Lisbon | Portugal | Notes | https://www.misomusic.me/ | |
Chamariz de Liceia | 2021 | Municipality of Oeiras | URL | Oeiras | Portugal | Notes | https://www.oeiras.pt | Associação Portuguesa de Compositores |
Étude, Lá. Something. | 2015 | RTP – Antena 2 for the 29th Edition of the Young Musicians' Award | URL | Lisbon | Portugal | Notes | https://www.rtp.pt/antena2/ | |
Title of work | Name of Award | Prize | Date | Awarding body | URL | Town | Country | Notes | Invisible Column | Invisible Column 2 |
Rondino (L. van Beethoven) | 3rd Pedro de Araújo International Composition Award | 1st Award (B Category) | 2022 | International Organ Festival in Braga | URL | Braga | Portugal | Notes | https://www.festivalorgaobraga.com | |
Atrito | 5th Edition of the Folefest Accordion Composition Competition | 2nd Award | 2021 | Folefest | URL | Lisbon | Portugal | Notes | https://folefest.com | |
cae mi voz | Ibermúsicas Composition Award and Premiere of the Work 2021 | Winning Work | 2021 | Ibermúsicas | URL | Portugal | Notes | http://ibermusicas.org | ||
Abertura Coriolano (L. van Beethoven) | International Composition Award for the Six Historic Organs of Mafra | 1st Prize · B Category (Transcription for Six Organs) | 2021 | Portuguese Ministry of Culture & the Mafra Municipality | Mafra | Portugal | Notes | |||
Sonatina | Flute: Hands on Research 2018 – conference and competition for flutuists and composers | Audience's Award | 2018 | University of Aveiro | URL | Aveiro | Portugal | Notes | https://www.ua.pt | |
Colosso | Youth Wind Orchestra Composition Competition · Lousada Municipality | 2nd Award | 2017 | Lousada Municipality | URL | Lousada | Portugal | Notes | https://www.cm-lousada.pt | |
Alusão | ESMAE/ Casa da Música Composition Award (World Music Day 2015) | Honourable Mention | 2015 | Casa da Música/ ESMAE | Porto | Portugal | Notes | |||
Irrazionalità | 4th Edition of the SPA/ Antena 2 Composition Competition | Honourable Mention | 2015 | SPA/ Antena 2 | Lisbon | Portugal | Notes | |||
Work | Type | Date | Organization/Event | Local | Town | Country | Performer(s) | Notes | Invisible Column |
Città filigrana | Premiere | 2024/Aug/31 | Chiesa di San Domenico | Città di Castello | Italy | Ensemble Suono Giallo Andrea Biagini (flute) Michele Bianchini (saxophone) Federico Tramontana (percussion) Giacomo Piermatti (doublebass) Simone Nocchi (piano) |
Notes | ||
Galveias – Janeiro e Stembro de 1984 | Premiere | 2024/Aug/25 | Woodwinds Summercamp 2024 | Mercado de Galveias, Ponte de Sor | Galveias | Portugal | Participants of the Woodwinds Summercamp 2024, Luís Miguel Espadana (conductor) | Notes | |
Unleashing Internal Clouds | Premiere | 2024/Jul/20 | Escola Superior de Música de Lisboa | Lisbon | Portugal | Ensemble Recherche, Rut Schereiner (conductress) | Notes | ||
Los herejes de la diócesis de Aureliano | Premiere | 2024/Jul/19 | Escola Superior de Música de Lisboa | Lisbon | Portugal | Aleph Guitar Quartet | Notes | ||
Painting on a wooden canvas of resonances | Performance | 2024/Jun/07 | Teatro da Rainha | Caldas da Rainha | Portugal | Sond'Ar-te Duo Vítor Vieira (violin) Filipe Quaresma (cello) Miguel Azguime (electronics) |
Notes | ||
Painting on a wooden canvas of resonances | Premiere | 2024/Jun/06 | O'culto da Ajuda | Lisbon | Portugal | Sond'Ar-te Duo Vítor Vieira (violin) Filipe Quaresma (cello) Miguel Azguime (electronics) |
Notes | ||
Rust | Premiere | 2024/May/30 | Semana da Composição na Escola Superior de Música de Lisboa | Escola Superior de Música de Lisboa | Lisbon | Portugal | Alex Waite (piano) | Notes | |
Ecos de atrito | Premiere | 2024/May/05 | Aveiro_Síntese 2024: Nova Música para Novos Músicos | Teatro Aveirense | Aveiro | Portugal | Nuno Magalhães (clarinet) | Notes | |
Old Vinyl | Premiere | 2024/Mar/23 | Jovens Solistas pela Igualdade | Aula Magna, Universidade dos Açores | Ponta Delgada | Portugal | Erline Moreira (basson) Camerata Arquipélago Hélio Soares (conductor) |
Notes | |
Ecos de Trovas | Premiere | 2023/Sep/30 | Encontros Sonoros Atlânticos | Biblioteca Nacional de Portugal | Lisbon | Portugal | Orquestra Metropolitana de Lisboa Rita Castro Blanco (conductor) |
Notes | |
Ecos de Trovas | Pre-premiere | 2023/Sep/29 | Encontros Sonoros Atlânticos | National Railway Museum | Entroncamento | Portugal | Orquestra Metropolitana de Lisboa Rita Castro Blanco (conductor) |
Notes | |
Desertificação | Premiere | 2023/Aug/20 | José Luís Peixoto Auditorium | Galveias | Portugal | Participants of the 3rd edition of the Woodwinds Summercamp 2023 – Soundscapes | Notes | ||
Shades of White | Premiere | 2023/May/20 | Violino + Concert | Lisboa Incomum | Lisbon | Portugal | Dejana Sekulić · violin | Notes | |
Rondino (L. van Beethoven) | Premiere | 2023/Apr/28 | IX Braga International Organ Festival | Sé Catedral of Braga | Braga | Portugal | Arturo Barba Sevillano and Cristan Tarabbia | Notes | |
Atrito | Premiere | 2022/Dec/21 | Concert – Portuguese Music for Accordion (Folefest) | MNAA – National Ancient Art Museum | Lisbon | Portugal | Pedro Meireles (violin), Catarina Bastos (violin), Irma Skenderi (viola), Catherine Strynckx (cello), Fernando Brites (accordion) | Notes | |
na plangência | Premiere | 2022/Jul/28 | Festival Plurisons | Paraíba Federal University | João Pessoa | Brazil | José Batista Junior (clarinet) | Notes | |
Colosso | Premiere | 2022/Jun/16 | Municipal Auditorium of Lousada | Lousada | Portugal | Youth Orchestra of the Vale de Sousa Conservatory | Notes | ||
Illustrate Internal Clouds | Premiere | 2022/Jun/02 | Auditório de Serralves | Porto | Portugal | ars ad hoc; Ricardo Carvalho (flaute), Horácio Ferreira (clarinet), João Casimiro Almeida (piano), Ana do Vale & Diogo Coelho (violin), Ricardo Gaspar (viola), Gonçalo Lélis (violoncello) | Notes | ||
E é sempre melhor o impreciso que embala do que o certo que basta | Performance | 2022/Apr/16 | Conference · Experimentation and beyond music | Casa da Música | Porto | Portugal | Frederic Cardoso (clarinet) | Notes | |
cae mi voz | Premiere | 2022/Apr/01 | Universidad Autónoma de Nuevo León | Monterrey | Mexico | Neighborwoods Trio | Notes | ||
Abertura Coriolano (L. van Beethoven) | Premiere | 2021/Nov/17 | International Composition Award for the Six Historic Organs of Mafra 2021 | Basílica do Real Edifício (Palácio Nacional de Mafra) | Mafra | Portugal | João Vaz, Sérgio Silva, António Esteireiro, André Ferreira, João Santos, Diogo Rato Pombo (organs) | Notes | |
Chamariz de Liceia | Premiere | 2021/Oct/10 | Croma · Ciclo de Música Contemporânea de Oeiras | Auditório Municipal Ruy de Carvalho | Carnaxide | Portugal | Lisbon Ensemble 20/ 21, Pedro Pinto Figueiredo (music direction) | Notes | |
texturas de sombra | Performance | 2021/Sep/10 | Christopher Bochmann Auditorium | Évora | Portugal | Frederic Cardoso (clarinet) | Notes | ||
Duet | Premiere | 2021/Jun/09 | Auditorium at the Music Conservatory in Paredes | Paredes | Portugal | Frederic Cardoso (clarinet), Hugo Nunes (clarinet) | Notes | ||
das linhas revoltas das mãos | Premiere | 2021/May/29 | Contemporary Music Reencounters 2021 | GrETUA | Aveiro | Portugal | Marta Fonseca (guitar), Nádia Carvalho (electronics) | Notes | |
Étude, Lá. Something. | Performance | 2020/Feb/16 | Casa Branca de Gramido | Gondomar | Portugal | Luís Matos (oboe) | Notes | ||
E é sempre melhor o impreciso que embala do que o certo que basta | Performance | 2019/Nov/14 | 4th International Clarinettist Festival | Rio de Janeiro | Brazil | Batista Júnior (clarinet) | Notes | ||
Étude, Lá. Something. | Performance | 2019/Nov/02 | French Oboe Association Conference | Auxerre | France | Luís Matos (oboe) | Notes | ||
E é sempre melhor o impreciso que embala do que o certo que basta | Performance | 2019/Nov/01 | 8th National Clarinet Congress | Torrent | Spain | Batista Júnior (clarinet) | Notes | ||
texturas de sombra | Premiere | 2019/Jun/04 | Diálogo a Preto e Branco | Casa da Música | Porto | Portugal | Frederic Cardoso · clarinet | Notes | |
Orgias do agora | Performance | 2019/May/12 | Museo Lázaro Galdiano | Madrid | Spain | Henrique Portovedo (saxophone) | Notes | ||
Orgias do agora | Performance | 2019/Mar/27 | Conservatorio di Musica Giuseppe Verdi | Milan | Italy | Henrique Portovedo (saxophone) | Notes | ||
Orgias do agora | Premiere | 2019/Mar/26 | Casa da Música | Porto | Portugal | Henrique Portovedo · saxophone and electronics | Notes | ||
E é sempre melhor o impreciso que embala do que o certo que basta | Performance | 2018/Oct/31 | Helena Sá e Costa Theatre | Porto | Portugal | Frederic Cardoso (clarinet) | Notes | ||
fala | Premiere | 2018/Oct/17 | DeCA, University of Aveiro | Aveiro | Portugal | Hélder Monteiro (timpani) | Notes | ||
Sonatina | Premiere | 2018/Jul/31 | DeCA Auditorium, University of Aveiro | Aveiro | Portugal | Clara Saleiro (flute) | Notes | ||
E é sempre melhor o impreciso que embala do que o certo que basta | Performance | 2018/Jul/05 | University of Évora | Évora | Portugal | Frederic Cardoso (clarinet) | Notes | ||
E é sempre melhor o impreciso que embala do que o certo que basta | Performance | 2018/Jun/20 | Lisboa Incomum | Lisbon | Portugal | Frederic Cardoso (clarinet) | Notes | ||
E é sempre melhor o impreciso que embala do que o certo que basta | Performance | 2018/Apr/11 | CCCI Auditorium, DeCA, University of Aveiro | Aveiro | Portugal | Frederic Cardoso (clarinet) | Notes | ||
O jardim do silêncio | Premiere | 2017/Dec/19 | Casa da Música | Porto | Portugal | Artium Trio Francisco Lima Santos . violin Pedro Gomes Silva . cello João Barata piano |
Notes | ||
E é sempre melhor o impreciso que embala do que o certo que basta | Premiere | 2017/Dec/05 | Auditório do Conservatório de Música de Paredes | Paredes | Portugal | Frederic Cardoso . clarinet | Notes | ||
Curvatório | Premiere | 2017/Dec/02 | Casa da Música | Porto | Portugal | Orquestra Sinfónica do Porto Casa da Música Baldur Brönnimann . musical direction |
Notes | ||
febres de arabescos em frisos inertes para ensemble | Premiere | 2017/Nov/05 | Casa da Música | Porto | Portugal | Remix Ensemble Casa da Música Peter Rundel . musical direction |
Notes | ||
a kind of sensuous meaningfulness | Premiere | 2016/Oct/28 | Vila do Conde Municipal Theatre | Vila do Conde | Portugal | Fátima Seabra (flute), Frederic Cardoso (clarinet), Carla Quelhas (piano) | Notes | ||
exercício de apofenia | Premiere | 2016/Apr/28 | Vila do Conde Municipal Theatre | Vila do Conde | Portugal | Jorge Lima (percussion), Rita Fernandes (violoncello) | Notes | ||
My Tiny Little Piece | Premiere | 2016/Feb/26 | Helena Sá e Costa Theatre | Porto | Portugal | ESMAE Symphony Orchestra, Ivo Venkov (conductor) | Notes | ||
Irrazionalità | Premiere | 2016/Feb/02 | Helena Sá e Costa Theatre | Porto | Portugal | ESMAE Contemporary Music Ensemble, Luís Neto da Costa (conductor) | Notes | transcription for ensemble | |
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Between choices | Premiere | 2016/Feb/02 | Helena Sá e Costa Theatre | Porto | Portugal | ESMAE Contemporary Music Ensemble, Luís Neto da Costa (conductor) | Notes | transcription for ensemble | |
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Alusão | Performance | 2016/Feb/02 | Helena Sá e Costa Theatre | Porto | Portugal | ESMAE Contemporary Music Ensemble, Luís Neto da Costa (conductor) | Notes | ||
Étude, Lá. Something. | Premiere | 2016/Feb/02 | Helena Sá e Costa Theatre | Porto | Portugal | Rafael Sousa (oboe) | Notes | ||
Alusão | Premiere | 2015/Oct/01 | Casa da Música | Porto | Portugal | Clara Saleiro (soloflute), Saxophone and Clarinet Orchestra, Pedro Neves (conductor) | Notes | ||
Étude, Lá. Something. | Other | 2015 | Young Musicians' Award 2015 | Casa da Música | Porto | Portugal | Notes | ||
Name of Grant/ Residency/Scholarship | Period | Awarding body | URL | Town | Country | Notes | ||
Young Composer in Residence at the Casa da Música | 2017 - 2017 | Casa da Música | URL | Porto | Portugal | Notes | https://www.casadamusica.com | |